7/20/2023 0 Comments Ios app switchSelf-Study Questions 14 Answers 16 Projects Project 1 Interview a Local Announcer 18 Project 2 Profile a Renowned Announcer 19 Project 3 Complete a Self-Evaluation 19 CHAPTER 2 THE AUDIO STUDIO ENVIRONMENT 2.1 Introduction 22 2.2 The Radio Studio 22 2.3 Microphones 23 2.4 Working with a Microphone 25 2.5 Mic Fright and Why Broadcast Performers Get It 2.6 The Audio Console 29 2.7 Music Playback Sources 31 2.8 Recording Equipment 33Ģ.9 Digital Audio Equipment 2.10 Conclusions 36 Preface to the Second Edition Preface to the First Edition Acknowledgments CHAPTER 1 INTRODUCTION TO PROFESSIONAL ANNOUNCING 1.1 Introduction 1 1.2 Announcer, Talent, or Personality? 1 1.3 Announcing: A Historical Perspective 2 1.4 Announcing: An Employment Perspective 2 1.5 Announcer Specialization 3 1.6 Is a College Degree Necessary for a Broadcast Announcer? 5 1.7 Key Physical Requirements for Announcers 6 1.8 Key Emotional Requirements for Announcers 7 1.9 Is Practical Experience Necessary for a Broadcast Announcer? 7 1.10 Announcer Responsibilities 8 1.11 Role Model Announcers 10 1.12 Conclusions 13 ![]() To my parents, Millie and Bert Beadle, for all the years of love and support. We know a subject ourselves, or we know where we can find information on it.’’ (Samuel Johnson) -D.E.R. ISBN: 9-0 For information on all Focal Press publications visit our website at 04 05 06 07 08 10 9 8 7 6 5 4 3 2 1 Printed in the United States of Americaįor Andrea. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Application submitted. You may also complete your request on-line via the Elsevier homepage (), by selecting ‘‘Customer Support’’ and then ‘‘Obtaining Permissions.’’ Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (þ44) 1865 843830, fax: (þ44) 1865 853333, e-mail. ![]() No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. TOKYO Focal Press is an imprint of Elsevierįocal Press is an imprint of Elsevier 200 Wheeler Road, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright ß 2005 Elsevier.*Additional practical material in this edition*First time instructor's manual available*Expanded coverage on announcing techniques*Companion CD-ROM with audio and video examplesīROADCAST ANNOUNCING WORKTEXT Performing for Radio, Television, and CableĪlan R. A companion CD-ROM illustrates techniques and concepts in each chapter with audio and visual examples. The worktext format, with many real-life examples, combines both traditional textbook learning and practical experience. ![]() The self-study provides an immediate check on the comprehension of what was presented, and the projects allow for a practical application of key concepts in the material. Television and radio studio environments, announcer specializations and responsibilities, and developing a broadcast delivery style are just a few of the many topics covered.Factual information is presented in brief, easy-to-digest modules and is enhanced with self-study questions and projects that encourage active reader participation. In addition to the principles of good performance, this text addresses the importance of "audience" and how messages change to communicate effectively to various groups. Broadcast Announcing Worktext, Second Edition provides the aspiring broadcast performer with the skills, techniques, and procedures necessary to enter this highly competitive field.
0 Comments
Leave a Reply. |